Osvaldo Lacerda: Suite for Bassoon and Piano Paul Hindemith: Sonata for Bassoon and Piano Johann Ernst Galliard: 6 Sonatas for Bassoon and Basso Continuoįrançois René Gebauer: 6 Caprices for Solo Unaccompanied Bassoon de Paula at with any questions regarding audition repertoire.Įugène Bourdeau: First, Second or Third Solos for Bassoon and Piano Select pieces that portray your playing at its very best. Works similar in style to those listed below may be substituted. Please consider the following compositions as a general guide. Prospective students should prepare two scales of their choice (one major and one minor), and two contrasting musical selections in order to demonstrate musicianship, tone quality, and technical ability. Please note that students must provide their own bass clarinet for School of Music auditions. McCandless at for further guidance regarding audition repertoire.Īny solo from the Voxman Concert and Contest solo book for bass clarinet Students may play one of the following works, or something similar, for their audition on bass clarinet, along with a short etude on B-flat clarinet from the Hite Melodious and Progressive book or something similar. Please email Dr. You must own a B-flat clarinet for study as a clarinet student. All clarinet majors will learn to play all types of clarinet, including bass, but the B-flat clarinet is the primary instrument played in clarinet lessons. Students who played bass clarinet in high school may audition for the School of Music on bass clarinet, provided that they understand that a complete education in clarinet requires mastery of the B-flat clarinet. McCandless at for further guidance regarding audition repertoire.Īny work from the Voxman Concert and Contest solo book for B-flat clarinetĪny work from the Bonade 16 Grands Solos de Concert PIANO ACCOMPANIMENT IS NOT REQUIRED. Please email Dr. One of these selections may come from the Voxman Selected Studies etude book. Prospective students should prepare two contrasting selections (or one longer piece with contrasting sections) in order to demonstrate musicianship, tone quality, and technical ability. Non-majors who want to audition for jazz scholarships, review the information found here. Auditionees are encouraged to utilize a backing track. Two ( 2) selections from the jazz standard canon demonstrating the student’s ability to play the melody, comp chords, and improvise.Auditionees will sight read short melodic and chordal excerpts.One ( 1) piece or etude of classical repertoire off of the above list (or comparable classical repertoire chosen by the auditionee and approved by Prof.Guitarists Pursuing a BM in Jazz Studies (Performance track c): Prelude in D minor for Lute from BWV 999 - J.S.Two ( 2) pieces of contrasting classical guitar repertoire.Guitarists Pursuing a BM (Performance track a) who are NOT auditioning for the Jazz Program : Luke Sanders at to determine suitable repertoire based on your experiences and degree of choice. Two ( 2) contrasting pieces of substantial quality in the classical, folk, world music, pop/rock, or other genres.Guitarists Pursuing a BA or Music Minor (includes Music General, Music Technology, Performing Arts Management, Music History): C#/Db major scale in two octaves, ascending and descending.G major scale in three octaves, ascending and descending.Vaughn Williams – Six Studies in English Folksong Galliard – Sonata (Any) Bass Trombone Editionĭefaye – Deux Danses (bass trombone edition) Guilmant - Morceau Symphonique (Concert Piece) Sight-reading will also be included in your audition. Please perform the following two-octave scales no faster than quarter-note = 60: Eb-major, C-major, A-major. Voxman, bass trombone: measures 1-32 of etude #18 on page 19 in 50 Etudes for Bass Trombone by Grigoriev arr. This will be in the form of a required excerpt(tenor trombone: measures 1-16 on page 11 in Selected Studies for Trombone by H. Requirements - Examples of overall abilities on the instrument, to include musicianship, sound quality, lyricism, technique and range.
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